In the delicate journey of a baby’s life, music weaves a melody that resonates far beyond the nursery walls. The impact of music on a baby’s development encompasses cognitive, emotional, social, and physical domains. Incorporating music into a baby’s early experiences is not just a source of joy but a powerful catalyst for holistic development.
Posts filed under Music
Holler Fest: A Happy, Hoppin' Place
Ann Arbor does summer well. This town comes alive with outdoor music from June to September, but each summer the local musicians and music lovers know that to wind-up the summer, Holler Fest is the place to be.
Rhythm: Good for What Ails You
Can you recall a moment with a group of people having the time of your life? What memory pops up first? Is it a sports event when you were all cheering, or dancing at a wedding, or maybe in a club when your favorite tune played? Did your experience include some kind of rhythm, or let’s name it “pulse,” that was pulling you all together? Most likely you weren’t even aware something else might be happening. You just thought you were having fun. If you think you don’t have rhythm, spoiler alert, you do!
A Singer, a Song, and Memories
I first heard Steve Goodman’s song, “The City of New Orleans” over fifty years ago. I remember seeing him sing it at the Mariposa Folk Festival sometime in the mid 1970s, but I heard Arlo Guthrie’s much better-known version even earlier. I thought it was a terrific song, but I felt no special pull to learn it. I continued to come across it occasionally over the years, especially in the mid ‘80s after Willie Nelson’s version came out, and always felt the same about it.
A Daily Dose of Sound, Vibration, and Frequency
Sound, vibration, and frequency are a part of everything we do. Sit for a moment, take a deep breath, and listen…. What do you hear? Maybe it’s the TV in the next room, or the gentle hum of the refrigerator’s condenser kicking in, or traffic on the street or road outside the building you are in. Many of the sounds we hear are processed and filtered in a way that we just don’t notice them. Whether it’s white noise specifically used for relaxation, or any of the other “colors of noise,” sound and vibration is a constant part of our life.
Folk Song Jam Along— Singing and Playing Just for Joy
A half hour before the six o’clock start time of the monthly Folk Song Jam Along, there were already about a half dozen people in the program room at the Westgate Branch of the Ann Arbor District Library. Song leaders Lori Fithian and Jean Chorazyczewski greeted early arrivals at the door and chatted with familiar regulars. There were about fifty chairs facing the large pull-down screen at the front of the long rectangular room. Fithian had set her Mac laptop, complete with purple case, on the lectern on one side of the screen, and Chorazyczewski’s Yamaha electric keyboard rested on its stand near the other side.
Singing and Listening with the Heart: A Therapist’s Journey
Jessica Ryder’s business card lists her credentials (MS, LLPC, NCC) as a professional mental health counselor, yet, she also has printed on them “MM” or Master of Music. Ryder’s academic training for her work as a therapist has been typical, though her life experience prior to was anything but. For twenty years she was a full-time professional musician working in some of the highest tiers of classical music.
Kindred Conversations: with Hilary Nichols
Where does music begin? When you’re a musician, the search is inward. David Magumba realized that, “Beyond inspiration, you do the work. You make it happen. As a songwriter, that is the effort I am making right now.”
Chris McCall--Beyond the Voice Box
Chris McCall was born and raised in Detroit. She grew up in a large, musical family where everyone sang at family events. Today, at 54, she is a professional singer, songwriter, voice coach, life coach, and meditation counselor. She still lives in the Detroit area, in a cheerful, green bungalow in Redford Township, with her three rescued cats, Monkey, Kosmo, and Eilley. Over decades, she has helped hundreds of students find, free, and use their voice in all its fullness and depth. Her unique approach goes beyond the voice box and focuses on the whole body. Through mediation and other techniques, she helps students release long held emotions that cause contractions in the body that restrict the voice
The Sound of Healing with Kimberly Joy Rieli
When you first see Kimberly Joy Rieli, you may be smitten with her fairy queen appearance. The long flowing hair, her lithe frame, and doe-eyes only add to the emanating aura of kindness and peace. Yet to limit your understanding to just the visual sense would sorely miss the depth of her very real healing gifts.
The Science of Sound Therapy
I am lying on the floor of a friend’s apartment as she sets up her singing bowls. The bowls—made variously of metal and crystal, ranging in size from soup bowls to witches’ cauldrons—emit specific frequencies of sound when vibrated. I close my eyes. Daniella begins to play. In my mind’s eye, I see the sounds as colors—slow circles of ink spreading out around and through me from where each bowl plays. I am immersed in sound and color.
5 questions for 3 Local Sound Healers
Short interviews with three local sound healers.
Leaps of Faith: The Thrift Depot
This column is a look at two brave souls who took a leap of faith to open their own business. What follows is a personal profile of Josh and Jen Maxam who are following their dreams and thriving despite the odds—and Covid.
The King Family: Half a Century of Farming, Making Music, Teaching Yoga, and Building Community
The King family has been a prominent presence in the Ann Arbor and Southeastern Michigan community in a myriad of ways—as farmers, musicians, teachers, and more—for nearly fifty years. The roots of the King family and their Frog Holler Farm go back to 1971, to the founding of the Indian Summer restaurant in Ann Arbor. That’s where Indian Summer’s co-founder, co-owner, and head cook, Ken King, met Cathy Munkholm. Cathy had been hired to make salads at the restaurant and worked alongside Ken, chopping vegetables.
Nadim Azzam and Whip Jams: Taking a Ride with Local Musicians
In the first few seconds of the pilot episode of Whip Jams, the viewer is taken on a kaleidoscopic tour through downtown Ann Arbor that feels almost foreign in 2021: windows down, sun splashing across laughing faces, music blasting. This is not a view one might associate with the current times, but in a world where human connection feels lost, comes a Youtube video series that aims to fuel a new kind of connectedness. Nadim Azzam is many things: creator, producer, marketer, promoter, and host of Whip Jams, to name a few. But before that, or perhaps beyond that, Azzam is a musician.
Singing on the Threshold
In the twilight hours of early evening, three women gather around a bedside. Their voices are gentle and soothing; their lyrics and harmonies weave a spell. The lines on the face of the man in the bed smooth out a bit; the family members in the room visibly relax. This is the magic created by Threshold Singers of Ann Arbor, and Threshold Choirs in more than two hundred locations around the world. The Threshold Choirs sing to people in the midst of a transformative life event: most often dying, but also recovering from illness or surgery, going through difficult emotional times, or being in chronic pain. They sing in hospitals and hospices, at nursing homes, in private homes, and once in a while, for the general public.
Anne Ormond: A Vessel of Crazy Wisdom. Music, Moving, and Life Lessons from an Octogenarian
When I emailed Anne Ormond to ask if I could interview her for this profile in the Crazy Wisdom Journal she replied, “Sure, why not? For Crazy Wisdom? That is a pretty good description of me—crazy wisdom.” The answer is typical Anne; brief, perceptive, a little self-deprecating, and witty. In a later conversation I said to her, “A lot of people your age are doing a fraction of what you’re doing,” she shot back with, “A lot of people my age are dead.” Anne is 83, and still busily engaged in a dizzying array of organizations and activities. “Well, I got to be 83, and I am still healthy—through pure luck and heredity, and maybe also thanks to my healthy life-style. I am constantly doing things; physical, mental, social, and spiritual. Many things that I do fit into more than one category. I choose to do things that I love. I have passions.” And she seems compelled to seize every opportunity to wring as much as possible out of every single moment.
Lifting the Spirit and Educating Well-Rounded Students —The Rudolf Steiner School of Ann Arbor Comes of Age, and Expands
Since its inception in 1980, The Rudolf Steiner School of Ann Arbor has flown mostly under the radar, but its popularity has also been steadily growing over the years. Named after German philosopher Rudolf Steiner (1861-1925), the school uses his philosophy of child development and ideas about well-rounded human beings to provide students with a holistic and age-specific education. One of over 1,000 Steiner-influenced “Waldorf schools” in 60 countries (there are 150 in North America), the schools are renowned for their emphasis on music and the arts, their original approach to the teaching of the sciences, and their celebration of nature, childhood play, and seasonal rituals.
Strike Up The Band ~ The Right Time, And Some Unusual Options, For Kids Music Lessons in Ann Arbor
If you have never had a kid leave trombone spit on your floor, you haven’t really lived. Seriously though, parenting kids through music lessons can be a unique and rewarding experience. Music lessons really teach kids a different set of life skills than they could get from any other activity — from self-awareness to fine motor skills to better listening and introduction to meditation. Today there are tons of options that fit every family, schedule, and kid.
Reflections on the Power of Music as Support and Healing for Teenagers
Last spring I heard Aaron Dworkin, violinist and former Dean of the U-M School of Music, Theater & Dance, speak at a leadership workshop at Zingerman’s Roadhouse. He expressed the best part of playing in a group/ensemble as a child was that he felt like he was ‘included’ for the first time in his life. Prior to this, he didn’t know anyone else like him and he lacked a sense of ‘belonging.’ He inspired me to investigate further. I wanted to hear from Ann Arbor students and teachers about their experience playing music in collaboration with others and what it means to them.
